DIARY
IEVA PACHOMOVA
IEVA PACHOMOVA
IEVA PACHOMOVA
IEVA PACHOMOVA
IEVA PACHOMOVA
IEVA PACHOMOVA
VILTĖ SAVICKAITĖ
VILTĖ SAVICKAITĖ
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
Photo by Džiugas Babenskas
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
Photo by Džiugas Babenskas
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
Photo by Džiugas Babenskas
BOTHWHERE | Joint Photography Exhibition
Photo by Laurynas Kamarauskas
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
Photo by Džiugas Babenskas
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
Photo by Laurynas Kamarauskas
BOTHWHERE | Joint Photography Exhibition
Photo by Džiugas Babenskas
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
Photo by Džiugas Babenskas
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
Photo by Džiugas Babenskas
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
ABEJUR, or BOTHWHERE was a self-organised photography exhibition by three artists – Donata Šiaudvytytė, Morta Narkauskaitė, and Alexandra Bondarev. The theme, developed through both visual and live conversations, was directly encoded in the expansive title of the show: bothwhere referred to a state permeating not only the artists’ creative practices but also their lives – manifesting uniquely in each of their works.
Being in two places at once was not merely a physical condition here; the works pointed above all to conceptually liminal spaces: fiction and reality, dream and ‘objective’ perception, mythology woven into contemporaneity, water as a threshold between states. They also revealed certain universals embedded within apparent dichotomies: harmony between nature and city life, human–animal coexistence, the playfulness of both child and adult, the sacred otherworld within the earthly – and, above all, beauty that was omnipresent: bothwhere, and everywhere. These images also carried the authors’ intentional agency, bearing witness to life unfolding on both sides of the lens. Authorship, too, appeared bothwhere – in the act of capturing images and in the art de vivre. Finally, the central axis of the exhibition was the body, visually and conceptually uniting the show into a cohesive whole: most often naked, sculptural, always real, not limiting but enabling a simultaneous existence in multidimensional spaces.
Our autonomous, independent, and intentional coming together to create this joint exhibition – without hierarchical roles, without funding, and outside traditional institutional art spaces – also became a manifesto: to create for the sake of creating, and to foster an open, self-sustaining community. In doing so, we hoped not only to connect with more like-minded people, but also to inspire other creators to gather and work freely, unbound by institutional expectations or conventional norms of the art field, and, if it’s not too banal to say, to create from the heart.
The exhibition took place at the VU Botanical Garden in Vingis and ran from 16 May to 6 June 2025
Being in two places at once was not merely a physical condition here; the works pointed above all to conceptually liminal spaces: fiction and reality, dream and ‘objective’ perception, mythology woven into contemporaneity, water as a threshold between states. They also revealed certain universals embedded within apparent dichotomies: harmony between nature and city life, human–animal coexistence, the playfulness of both child and adult, the sacred otherworld within the earthly – and, above all, beauty that was omnipresent: bothwhere, and everywhere. These images also carried the authors’ intentional agency, bearing witness to life unfolding on both sides of the lens. Authorship, too, appeared bothwhere – in the act of capturing images and in the art de vivre. Finally, the central axis of the exhibition was the body, visually and conceptually uniting the show into a cohesive whole: most often naked, sculptural, always real, not limiting but enabling a simultaneous existence in multidimensional spaces.
Our autonomous, independent, and intentional coming together to create this joint exhibition – without hierarchical roles, without funding, and outside traditional institutional art spaces – also became a manifesto: to create for the sake of creating, and to foster an open, self-sustaining community. In doing so, we hoped not only to connect with more like-minded people, but also to inspire other creators to gather and work freely, unbound by institutional expectations or conventional norms of the art field, and, if it’s not too banal to say, to create from the heart.
The exhibition took place at the VU Botanical Garden in Vingis and ran from 16 May to 6 June 2025
Exhibition review – artnews.lt
Exhibition review – 7md.lt
Video from the exhibition opening
Exhibition soundscape
I create and frame photographic prints to order. You can also find a selection of my works at the ‘Printinė’ store, Rūdninkų St. 20, Vilnius, Lithuania
It took place in the myth-shrouded Strėva Sinkhole — the Devil’s Pit’s lesser-known sister, where legends say devils quarreled and overindulged, and so the sinkhole
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Discovering this place and its story, the idea for the photoshoot took shape, quietly resonating with the themes of TURTAS, the band’s latest album
claimed them
Discovering this place and its story, the idea for the photoshoot took shape, quietly resonating with the themes of TURTAS, the band’s latest album
Wandering through film sets is a strange, thrilling feeling, where the real and the fictional blend. Here are glimpses from the sets of the short film Sakalas ir juodaplaukis, directed by Pijus Mačiulskis
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Images of you and me, improvising through space and time like an endless open jam
I grew up on the Lithuanian seaside, where pine forests and the sea shaped my sense of calm and rhythm. Water remains both a source of inspiration and a symbol of fluidity, drawing me back to a gentle, melancholic state of mind.
Most of my work is created through analog photography. I am drawn to the uncertainty of film and the quiet patience and subtlety it requires.
Sensitivity to atmosphere continues in my ongoing project, Artists and Their Daily Life. At the center of this work is the person: their portrait, their rituals, and the traces of craft thought that shape their everyday environment. The spaces where artists create – whether studios, homes, or other lived-in places – often reveal as much as the artists themselves. Shelves, tools, quiet corners, and working hours form a landscape where ideas take root.
My debut exhibition, Abejur, became a starting point. It encouraged me to seek out authentic, living places and to let the environment shape the work as much as the image itself. Rather than presenting separate objects, the exhibition was an immersive experience in which art and place grew together. It marked the beginning of a creative direction grounded in sensitivity, depth, and an openness to working outside sterile or overly controlled spaces.
Support the vision
donata.siaudvytyte@gmail.com